Marsh Hawk Review

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D. Nurske 

  

      The Major Scales

         

We wanted the child to walk.

We braced her shoulders and rubbed her feet.

We explained, baby steps. We walked ourselves

briskly, to the doorknob or the braided pull

that dangled from the crinkly blind.

 

But when we let her go

she crumpled. Each dusk

we pranced, strode, strutted.

But when we looked down, she was gone                             

slithering behind the elm in the dusty yard,

following the cat’s tail under the waxy oleander.

 

We longed for her to speak.

We mouthed her name. She stared

at that red O we claimed was a child.            

But when she spoke, it was she who was me.

 

We taught her to read. She wriggled her head

trying to shake out those fiery squiggles--

then the musty books fetched themselves

down from the case, open to the last page.

A flashlight glinted under a blanket.

 

Meanwhile the clouds were massing.

Immense storms darkened the screen

like a mood that can’t be shaken.

 

We taught her, this world is finite.

You can put your hand through it.

 

We wanted to teach her freedom

but there was still a gap

between the words crested grebe

and what they stood for

 

and our accent was tranced, ironic.

Our voices felt they had suffered.

What more could be asked of them?  

 

The cat had grown lame

and stared at the fantail pigeons

with a coy indifference–

 

we had to teach ourselves that

in the narrow crawlspace

between each minute and the last

 

while the child practiced her chords,

augmented, diminished, broken,

until the rain was music.

 

How did she know when to stop?

She trembled when she coaxed the violin

back into its red plush case.

 

We  longed to go home, but we were home.

We were dozing in our marriage bed

arm in arm when silence woke us.